Difference between revisions of "PFAN - PFAN Policy Statements"

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<span style="color:red>[New]</span>
 
<span style="color:red>[New]</span>
  
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'''Librettos'''
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 +
If a libretto for a dramatic musical work is written by the composer and is manifested separately as a literary work, distinguish the literary work from the musical work with "(Livret)" (see Policy Statement for  [[ |6.28.1.2]]).
 +
 +
''Example :''
 +
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
 +
 +
100 1# $a Wagner, Richard, $d 1813-1883. $t Meistersinger von Nürnberg (Livret)
 +
</div>
  
 
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== 6.28.1, General Guidelines on Constructing Authorized Access Points Representing Musical Works ==
 
== 6.28.1, General Guidelines on Constructing Authorized Access Points Representing Musical Works ==
 
<span style="color:red>[New]</span>
 
<span style="color:red>[New]</span>
 +
 +
'''Additions to Authorized Access Points'''
 +
 +
Do not make an addition to the authorized access point when one or more instrumental parts for a work or a compilation of works by one composer are published separately. Use the same authorized access point that would be used for a score or a complete set of parts.
 +
 +
''Example :''
 +
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
 +
 +
100 10 $a Bach, Johann Sebastian, $d 1685-1750.
 +
 +
240 10 $a Wer mich liebet, der wird mein Wort halten, $n BWV 74
 +
 +
245 10 $a Kantate Nr. 74 : $b Wer mich liebet, der wird mein Wort halten : BWV 74 / $c Joh. Seb. Bach ; Continuo-Aussetzung von Ulrich Haverkampf.
 +
 +
250 ## $a Orgel.
 +
 +
264 #1 $a Wiesbaden : $b Breitkopf & Härtel, $c [1982]
 +
 +
300 ## $a 1 partie (32 pages) ...
 +
<br><br>
 +
 +
100 1# $a Bach, Johann Sebastian, $d 1685-1750.
 +
 +
240 10 $a Musique vocale. $k Extraits
 +
 +
245 14 $a The flute solos from the Bach cantatas, passions, and oratorios ...
 +
<div style="font-family:sans-serif; margin-left:0px;text-indent:0px">''«&nbsp;Extraits&nbsp;» refers to the fact that the flute solos in the resource are not from all of Bach’s vocal music works; nor are they the entire flute part from each of the works included.''
 +
</div>
 +
<br>
 +
 +
100 1# $a Strauss, Richard, $d 1864-1949.
 +
 +
240 10 $a Musique pour orchestre. $k Extraits
 +
 +
245 10 $a Orchesterstudien aus Richard Strauss' symphonischen Werken : $b für Flöte ...
 +
<div style="font-family:sans-serif; margin-left:0px;text-indent:0px">''«&nbsp;Extraits&nbsp;» refers to the fact that the flute selections in the resource are not from all of Strauss’ orchestral music; nor are they the entire flute part from each of the works included.''
 +
</div>
 +
</div>
 +
 +
'''Melody/Melodies'''
 +
 +
Lorsque le mot français «&nbsp;Mélodie&nbsp;» ou «&nbsp;Mélodies&nbsp;» est le titre d'une œuvre pour voix soliste avec accompagnement d'instrument à clavier et à cordes, considérer que la distribution d'exécution est implicite dans le titre (voir [https://original.rdatoolkit.org/document.php?id=rdachp6&target=rda6-7660#rda6-7660 RDA 6.28.1.9]) et omettre la distribution d'exécution dans le point d'accès autorisé.
 +
 +
Lorsque le mot français «&nbsp;Mélodie&nbsp;» ou «&nbsp;Mélodies&nbsp;» est le titre d'une œuvre pour voix soliste avec accompagnement autre qu'un instrument à clavier et à cordes seul ou sans accompagnement, appliquer [https://original.rdatoolkit.org/document.php?id=rdachp6&target=rda6-7660#rda6-7660 RDA 6.28.1.9] et ajouter la distribution d'exécution de l'accompagnement, ou «&nbsp;sans accompagnement&nbsp;», dans le point d'accès autorisé.
 +
 +
Lorsque le mot français «&nbsp;Mélodie&nbsp;» ou «&nbsp;Mélodies&nbsp;», ou leurs équivalents dans une autre langue, est le titre d'une œuvre qui n'est pas pour voix soliste et instrument à clavier et à cordes, considérer qu'il s'agit d'un type de composition. Utiliser la forme française comme titre privilégié et ajouter la distribution d'exécution conformément à [https://original.rdatoolkit.org/document.php?id=rdachp6&target=rda6-7660#rda6-7660 RDA 6.28.1.9].
  
 +
 +
'''Liturgical Words or Phrases'''
 +
 +
When the preferred title is a Latin liturgical word or phrase (e.g., "Gloria," "Magnificat," "Requiem," "Salve Regina," "Te Deum"), record it in the singular when the word or phrase is invariable. Use the plural form "Introïts," when appropriate. Generally, do not add the medium of performance in the authorized access point.
  
  
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<span style="color:red>[New]</span>
 
<span style="color:red>[New]</span>
  
 +
If a composer also created the libretto for a dramatic musical work and the libretto is manifested separately as a literary work, distinguish the literary work from the musical work with ''(Livret)'', but do not make an addition to the access point for the musical work (see Policy Statement [[|6.27.1.9]]).
 +
 +
''Example :''
 +
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
 +
 +
100 1# $a Wagner, Richard, $d 1813-1883. $t Meistersinger von Nürnberg
 +
 +
100 1# $a Wagner, Richard, $d 1813-1883. $t Meistersinger von Nürnberg (Livret)
 +
</div>
  
  
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<span style="color:red>[New]</span>
 
<span style="color:red>[New]</span>
  
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'''General'''
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Use cataloger's judgment in choosing the most appropriate element or elements listed in 6.28.1.9 to include in the authorized access point for a musical work unless other instructions in this Policy Statement apply.
 +
 +
'''Preferred Title Consists Solely of the Name of a Type, or of Two or More Types, of Composition'''
 +
 +
To maintain file integrity, add these elements in the authorized access point in this order, as applicable:
 +
# medium of performance (voir [ 6.28.1.9.1])
 +
# numeric designation of musical work (voir [ 6.16])
 +
# key (voir [ 6.17]).
 +
 +
Lorsqu'on ajoute plusieurs désignations numériques, les ajouter dans cet ordre :
 +
# numéro d'ordre
 +
# numéro d'opus
 +
# numéro à l'intérieur de l'opus, s'il y en a un.
 +
 +
Ne pas ajouter de numéro d'ordre ni de numéro d'opus si un numéro de catalogue thématique est ajouté.​
 +
 +
''Examples :''
 +
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
 +
 +
100 1# $a Brahms, Johannes, $d 1833-1897. $t Concertos, $m violon, orchestre, $n op. 77, $r ré majeur
 +
<br><br>
 +
 +
100 1# $a Schumann, Clara, $d 1819-1896. $t Scherzos, $m piano, $n no 1, op. 10, $r ré mineur
 +
<br><br>
 +
 +
100 1# $a Beethoven, Ludwig van, $d 1770-1827. $t Sonates, $m piano, $n no 14, op. 27, no 2, $r do dièse mineur
 +
<br><br>
 +
 +
100 1# $a Schubert, Franz, $d 1797-1828. $t Trios, $m piano, violon, violoncelle, $n D. 929, $r mi bémol majeur
 +
<div style="font-family:sans-serif; margin-left:0px;text-indent:0px">''Le numéro d'ordre (no 2) et le numéro d'opus (op. 100) ne sont pas enregistrés car le numéro de catalogue thématique est enregistré''
 +
</div>
 +
<br>
 +
 +
100 1# $a Eckhardt-Gramatté, S. C. $q (Sophie-Carmen), $d 1899-1974. $t Symphonies, $n E. 104, $r do
 +
<div style="font-family:sans-serif; margin-left:0px;text-indent:0px">''Le numéro d'ordre (no 1) n'est pas enregistré car le numéro de catalogue thématique est enregistré; la distribution d'exécution n'est pas enregistrée car elle est implicite dans le titre''
 +
</div>
 +
</div>
 +
Add other elements to the authorized access point if it needs to be differentiated from another authorized access point (see [ 6.27.1.9]).
 +
 +
'''Serial Number'''
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 +
Record a serial number in an authorized access point if works with the same title and the same medium of performance are consecutively numbered in music reference sources. Record serial number if works with the same title for different media are consecutively numbered in music reference sources if the medium of performance is omitted from the authorized access point per [ 6.28.1.9.1 exception a) ii)].
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 +
See additional guidance on recording serial numbers in the Policy Statement for [ 6.16.1.3.1].
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 +
'''Librettos and Dramatic Musical Works'''
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 +
See Policy Statement [https://wiki.gccollab.ca/PFAN_-_%C3%89nonc%C3%A9s_de_politique_du_PFAN#6.28.1.2.2C_.C5.92uvres_musicales_avec_des_paroles.2C_un_livret.2C_etc. 6.28.1.2] for distinguishing access points representing librettos and dramatic musical works written by the same person.
  
  
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<!--
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6.28.3
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== 6.28.3, Authorized Access Point representing an expression of musical workAUTHORIZED ACCESS POINT REPRESENTING AN EXPRESSION OF A MUSICAL WORK ==
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<span style="color:red>[New]</span>
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 +
In order to maintain current file integrity, when constructing an authorized access point for an expression of a musical work, if more than one characteristic of an an expression listed below is to be recorded, use the following priority order, omitting the ones that are not applicable:
 +
# Arrangements, transcriptions, etc. (use the term ''arrangé'')
 +
# Esquisses [Sketches]
 +
# Partition de chant [Vocal score]
 +
# Partitions de chant [Vocal scores]
 +
# Partition de chœur [Chorus score]
 +
# Partitions de chœur [Chorus scores]
 +
# Traductions [Translations].
 +
 +
''Exemple :''
 +
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
 +
 +
100 1# $a Strauss, Richard, $d 1864-1959.
 +
 +
240 10 $a Lieder, $n op. 10. $p Allerseelen; $o arrangé. $l Anglais
 +
 +
245 10 $a All souls' day = $b Allerseelen : four-part song for mixed voices : op. 10, no. 8 / $c Richard Strauss ; arranged by George Shackely ; original German text by Hermann von Gilm ; English text by George Shackley.
 +
<br><br>
 +
 +
100 1# $a Kodály, Zoltán, $d 1882-1967.
 +
 +
240 10 $a Háry János. $s Partition de chant. $l Anglais
 +
 +
245 10 $a Háry János : $b Hungarian folk opera / $c Zoltán Kodály ; Hungarian libretto by Béla Paulini and Zsolt Harsányi ; English version by Olga Latham and Tony Butterfield.
 +
<br><br>
 +
 +
100 1# $a Moore, Douglas, $d 1893-1969.
 +
 +
240 10 $a Œuvre. $k Extraits (Esquisses)
 +
</div>
 +
 +
== 6.28.4, Variante de point d'accès représentant une œuvre ou une expression musicale ==
 +
<span style="color:red>[NEW]</span>
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'''Variant Access Point Representing a Musical Work or Expression'''
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For a misattributed musical work, or expression of a work, provide additional access points as may be appropriate to identify the work.
 +
 +
-->
  
 
=Chapter 9=
 
=Chapter 9=

Revision as of 16:38, 22 April 2024

About PFAN News and Updates Rules for Contributions Name Authority Manual Participant's Manual PFAN Policy Statements PFAN Training Frequently Asked Questions (FAQ) Other Documentation LAC



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Chapter 6

6.2.2.5, Exception

For the Classical and Byzantine Greek works listed in the Exception, choose a well-established title in French as the preferred title.

Last update: 2023-11-24

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6.2.2.7, Alternative

Apply the alternative for anonymous works created before 1501 and written neither in Greek nor in the Latin alphabet. Choose as the preferred title an established title in French if there is one.

Last update: 2022-09-15

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6.28.1.9.1, Medium of performance

General

Use RVMMEM terms in the authorized access point, adjusting the form to plural if needed according to 6.28.1.9.1 Exception d). Record terms in this order:

a) voices
b) keyboard instrument if there is more than one non-keyboard instrument
c) the other instruments in score order
d) continuo.

For a work for solo instrument or instruments and accompanying ensemble or ensembles, add the terms for the solo instrument or instruments followed by the term for the accompanying ensemble or ensembles.

Example :

100 1# $a Baker, David, $d 1931-2016. $t Sonates, $m violon, ensemble à cordes frottées

For solo violin and string quartet

New Authority Records

Same Preferred Title and Unknown Medium of Performance
If there are two or more works by the same composer with the same preferred title and the medium of performance is unknown but the number of parts is known, record the number of parts following the term interprètes in the authorized access point.

Works for Keyboard Instruments
If a composer wrote more than one work of a particular type of composition that is for or includes various keyboard stringed instruments, use the one that predominates in the works of that type when adding the medium of performance. If no predominant instrument is apparent, use the term instrument à clavier.

Example :

100 1# $a Bach, Carl Phillipp Emanuel, $d 1714-1788. $t Sonates, $m instrument à clavier, $n H. 53, $r ré mineur

382 0# $a clavecin $n 1 $s 1 $2 rvmmem

For all works with preferred title "Sonates" written for a keyboard instrument, the term "instrument à clavier" is recorded in the authorized access point because no specific type of keyboard instrument is predominant

Existing Authority Records
A medium of performance term used in the 1XX field in an existing authority record may differ from the RVMMEM term for that voice or instrument. Unless otherwise changing the authorized access point, do not modify the existing medium of performance term in an AACR2 or RDA authorized access point to match the RVMMEM term.

Last update: 2021-11-19

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6.28.1.9.1, Alternative

Do not apply the 2nd sentence of Exception d). Always supply the number of parts if more than one for a particular instrument or voice, even if the number of parts is implicit in the preferred title. Apply all other exceptions in 6.28.1.9.1.

Last update: 2021-11-19

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6.29.1.29, Date of Promulgation of a Law, Etc.

When establishing a new authorized access point for a law, etc., and there is an existing access point with the same or similar title without a date of promulgation, add the dates of promulgation to both the new and existing access points. If the date of promulgation of the existing undated access point is unknown and cannot be readily ascertained, or if there is evidence that the existing undated access point has been used for laws promulgated on different dates, add the date of promulgation only to the law, etc. being established.

Examples :

110 1# $a France. $t Code de procédure civile (1806)

110 1# $a France. $t Code de procédure civile (1975)

The first access point was originally established without a date


110 1# $a Pérou. $t Código procesal penal (1991)

110 1# $a Pérou. $t Código procesal penal (2004)

The first access point was originally established without a date
but


110 1# $a États-Unis. $t Civil Rights Act of 1964

110 1# $a États-Unis. $t Civil Rights Act of 1991

The dates of promulgation are not added, as they are already in the preferred titles of the laws

Optionally, add the date of promulgation to a new authorized access point, even if there is no need to distinguish between access points.

Example :

110 1# $a $a Ghana. $t Criminal Procedure Code (1997)

Last Update: 2023-11-24

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Chapter 9

9.2.2.5.3, Names found in a non-preferred script

For the instructions related to RDA 9.2.2.5.3, the language preferred for reference sources is French; the preferred script is the Latin script.

Authorized access points should be in the Latin script. Follow the romanization tables approved by PFAN.

Non-Latin forms may be recorded as variant access points (MARC field 4XX) for these languages/scripts: Perso-Arabic script (e.g., Arabic, Persian, Pushto, Urdu); Hebrew, Yiddish; Chinese, Japanese, Korean; Cyrillic-based scripts; and Greek.

Applicability

Persons who bear names derived from a non-Latin script but who write in a Latin script language should not be treated under this instruction. The decision that the person is writing in a Latin script language is based on the first item cataloged, i.e., the fact that the text of this item was originally written in a Latin script language. If it becomes evident later that most of the person's works were written in a non-Latin script, apply the provisions of this policy statement.

Last Update: 2022-04-19

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9.2.2.5.3, Alternative

All Other Languages Written in Non-Latin Scripts: Apply the alternative when the first element of the preferred name begins with either a given name or a surname. If a person is likely to appear in general English-language reference sources, search the Encyclopédie Larousse, the Petit Robert and the Encyclopædia Universalis in this order of priority. If the name is found in all three sources in a single form, use that form. If the form varies in these three sources, use the form found in the Encyclopédie Larousse. If the name is not found in all three of these sources, use the systematically romanized form of the name.

If the name is found in the Encyclopédie Larousse, use the name found there, if the encyclopedia only presents one form of name, or use the first form given, if two forms of name are given in the same article. If the Encyclopédie Larousse offers different forms found in different articles, prefer a form from the general encyclopedia to one from a specialized work. If the name is not found in the Encyclopédie Larousse, search the Petit Robert, and if the name appears, use the form found there. If the name is not found there, search the Encyclopædia Universalis and use the form found there. (Catalogers are encouraged to consult all three sources regardless of the search results to identify variants that may be cross-referenced). If the name is not found in any of these sources, use the systematically romanized form of the name (i.e., a romanized form from a romanization table approved by PFAN).

Exception: For famous persons entered under given name but not found in all three of the general French-language encyclopedias because of specialized fame, consult major specialized encyclopedias (e.g., Le nouveau Théo de Michel Dubost et Stanislas Lalanne, le Dictionnaire de l'Antiquité de Jean Leclant to determine if there is a well-established French-language form of the name. ("Found in" the reference source means that there is an article under the person's name.)

For persons who are not included in the three French general encyclopedia named above because their fame is too recent (for instance new authors, dancers, or people recently becoming famous as cultural or political figures), follow this order of preference:

  1. If the name is found in a romanized source in a free, well-known and easy to consult online source, use this form, especially if a person who writes (or about whom others write) chiefly in another script provides a romanized form in such a source (e.g., Facebook, Linkedin) or, failing such a source, a general source (e.g., Wikipédia).
  2. Consult major newspapers such as Le monde or La presse in order to determine if there already exists a well-established French form of the name.
  3. Otherwise, use a systematically romanized form of the name.

Hebrew Alphabet: Follow this order of preference in choosing the heading for persons with names in the Hebrew alphabet:

  1. If the name is found prominently in a romanized form in the resource being cataloged in a language using the Hebrew alphabet, use this form.
  2. If the name is found as the heading for an article about the person in Dictionnaire encyclopédique du judaïsme , use this form.
  3. If the name is found in a romanized form in a widely-known and easily-consulted free online source, use this form, especially where a person who writes or is written about primarily in the Hebrew script provides a preferred romanized form of the name in that source (e.g., Facebook, Linkedin) or, failing such a source, a general source (e.g., Wikipédia).
  4. Otherwise, use the systematically romanized form of the name.
  5. However,
  1. If the authorized access point for an author who writes in a language using the Hebrew alphabet reflects the systematically romanized form and a subsequently-received resource containing the name in a Hebrew-alphabet language shows a non-systematically romanized name (i.e., a “found romanization”), generally do not change the authorized access point. This means that only in exceptional cases will systematically romanized names be candidates for change.
  2. If the authorized access point for an author who writes in a language using the Hebrew alphabet reflects a non-systematically romanized form and a subsequently received resource containing the name in a Hebrew-alphabet language shows a different non-systematically romanized form (i.e., a different “found romanization”), do not change the authorized access point until the different form clearly predominates.

Last Update: 2024-03-26    Adapted from RDA LC-PCC PS

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9.3.4.3, Recording period of activity of person [NEW]

When recording the period of activity, use “activité” not "époque", "actif" or "active". The term "activité" should appear before the first period of activity date (e.g., "activité 12e siècle"), unless another term such as "jin shi" is used.

Last Update: 2023-05-16

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Chapiter 11

11.2, Name of Corporate Body [New]

When the name of an individual performer appears in conjunction with the name of a performing group, unless there is other evidence generally do not consider the person's name to be part of the name of the group.

Examples

source

J.D. Crowe and the New South

authorized access point

110 2# $a New South (Groupe musical)

source

Artie Shaw and his orchestra

No name because body is unnamed

Last Update: 2023-11-24

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11.2.2.12, Names found in a non-preferred script [New]

Record a transliterated form of the corporate name in authorized access points where applicable, following the romanization tables approved by PFAN. Non-Latin forms that appear on the source may be recorded as variant access points in authority records (MARC field 4XX )for the following languages and scripts: Perso-Arabic script (e.g. Arabic, Persian, Pashto, Urdu); Hebrew, Yiddish; Chinese, Japanese, Korean; Cyrillic-based scripts; and Greek.

Last Update: 2023-11-24

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11.2.2.12, Alternative [New]

Do not apply.

Last Update: 2023-11-24

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Chapter 16

16.2.2.2, Sources of information

For names in Canada, base the form found in Canadian Geographical Names Database (CGNDB) from Natural Resources Canada
For names in Québec, base the form found in the following sources (in this order of preference):

  1. Répertoire des municipalités
  2. Banque de noms de lieux du Québec
  3. other reference sources
  4. the catalogued manifestation.

For names other than municipalities in Quebec, base the form found in the Banque de noms de lieux du Québec
For counties in the United States, use the form found in the French version of Wikipedia.
For the following countries, base the form found in the sources listed below (in the order of preference indicated) if French sources are consulted in vain or are not available and English sources must be consulted:

Country Sources
Australia 1. VIAF
2. Geoscience Australia Place Name Search
United States 1. LC/NAF
2. Geographic Names Information System (GNIS)
Great Britain 1. LC/NAF
2. The Ordnance Survey gazetteer of Great Britain ou GEOnet Names Server (GNS)
New Zealand 1. LC/NAF
2. New Zealand Gazetteer of Place Names

Last Update: 2023-07-19

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Chapter 32

32.1, Related Corporate Body [New]

Core element for PFAN

Related corporate body is a core element for PFAN for sequential relationships with immediately preceding and immediately succeeding corporate bodies (except conferences).

These instructions also apply to places established in the Canadiana authority file.

Last Update: 2023-05-02

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