2,164
edits
Important: The GCConnex decommission will not affect GCCollab or GCWiki. Thank you and happy collaborating!
Changes
Jump to navigation
Jump to search
m
PFAN - PFAN Policy Statements (view source)
Revision as of 12:17, 4 December 2024
, 12:17, 4 December 2024→Chapter 6
Line 35:
Line 35:
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
== 6.14.2.5.1, Omissions ==
== 6.14.2.5.1, Omissions ==
−For pre-twentieth century works, normally consider phrases such as "a due," "a cinque" to be statements of medium of performance and omit them when recording the preferred title according to this instruction.
For pre-twentieth century works, normally consider phrases such as "a due," "a cinque" to be statements of medium of performance and omit them when recording the preferred title according to this instruction.
Line 44:
Line 43:
== 6.14.2.5.2, Preferred Title Consisting Solely of the Name of One Type of Composition ==
== 6.14.2.5.2, Preferred Title Consisting Solely of the Name of One Type of Composition ==
−Do not consider such titles as "Double concerto," "Tripelkonzert", etc. to be names of types of compositions.
Do not consider such titles as "Double concerto," "Tripelkonzert", etc. to be names of types of compositions.
Line 70:
Line 68:
== 6.14.2.5.2.1, Choice of language ==
== 6.14.2.5.2.1, Choice of language ==
−Record the accepted form of name in French if the name has an French cognate form or if the same name is used in French.
Record the accepted form of name in French if the name has an French cognate form or if the same name is used in French.
Line 83:
Line 80:
== 6.14.2.5.2.1, Alternative ==
== 6.14.2.5.2.1, Alternative ==
−Do not apply the alternative.
Do not apply the alternative.
Line 92:
Line 88:
== 6.14.2.5.2.2, Singular or Plural Form ==
== 6.14.2.5.2.2, Singular or Plural Form ==
−'''One Work of One Type'''
'''One Work of One Type'''
Line 117:
Line 112:
== 6.14.2.5.2.2, Alternative ==
== 6.14.2.5.2.2, Alternative ==
−Do not apply the alternative.
Do not apply the alternative.
Line 126:
Line 120:
== 6.14.2.7.1.3, Part Identified Both by a Number and by a Title or Other Verbal Designation, Alternative ==
== 6.14.2.7.1.3, Part Identified Both by a Number and by a Title or Other Verbal Designation, Alternative ==
−Do not apply the alternative.
Do not apply the alternative.
Line 135:
Line 128:
== 6.14.2.7.2, Two or More Parts, Alternative ==
== 6.14.2.7.2, Two or More Parts, Alternative ==
−If two or more parts of a work constitute the only content of the manifestation being described, record the conventional collective title ''Extraits'' as the preferred title for the parts. If one or more parts is especially important, also record the part title(s) as analytical authorized access points.
If two or more parts of a work constitute the only content of the manifestation being described, record the conventional collective title ''Extraits'' as the preferred title for the parts. If one or more parts is especially important, also record the part title(s) as analytical authorized access points.
Line 146:
Line 138:
== 6.14.2.8.3, Complete Works of a Single Type of Composition for One Specific Medium or Various Media ==
== 6.14.2.8.3, Complete Works of a Single Type of Composition for One Specific Medium or Various Media ==
−Use terms from the RVMGF (RVM’s Genre/Forme thesaurus) when possible. When recording the preferred title, omit any parenthetical qualifier from RVMGF.
Use terms from the RVMGF (RVM’s Genre/Forme thesaurus) when possible. When recording the preferred title, omit any parenthetical qualifier from RVMGF.
Line 168:
Line 159:
== 6.15.1.3, Recording Medium of Performance ==
== 6.15.1.3, Recording Medium of Performance ==
−Use terms from the RVMMEM (Répertoire de vedettes-matière, Moyens d’exécution en musique) when possible. '''''Exception:''''' use "orchestre à cordes" for an orchestra consisting primarily of string instruments and no wind instruments (even when it may include continuo, keyboard instruments, plucked instruments, or percussion). Use "orchestre" for an orchestra that has both string and wind instruments.
Use terms from the RVMMEM (Répertoire de vedettes-matière, Moyens d’exécution en musique) when possible. '''''Exception:''''' use "orchestre à cordes" for an orchestra consisting primarily of string instruments and no wind instruments (even when it may include continuo, keyboard instruments, plucked instruments, or percussion). Use "orchestre" for an orchestra that has both string and wind instruments.
Line 179:
Line 169:
== 6.15.1.5, Optional Omission ==
== 6.15.1.5, Optional Omission ==
−Do not omit doubling instruments and voices.
Do not omit doubling instruments and voices.
Line 188:
Line 177:
== 6.15.1.6.1, Optional Omission ==
== 6.15.1.6.1, Optional Omission ==
−Do not omit the number of parts or performers for an instrument or voice, even if there is only one for that instrument or voice.
Do not omit the number of parts or performers for an instrument or voice, even if there is only one for that instrument or voice.
Line 197:
Line 185:
== 6.15.1.6.3, Optional Omission ==
== 6.15.1.6.3, Optional Omission ==
−Do not omit the number of ensembles for a type of ensemble, even if there is only one ensemble of that type.
Do not omit the number of ensembles for a type of ensemble, even if there is only one ensemble of that type.
Line 206:
Line 193:
== 6.16.1.3.1, Serial Number ==
== 6.16.1.3.1, Serial Number ==
−Record a serial number even if works with the same title do not have the same medium of performance, if such works are consecutively numbered in music reference sources.
Record a serial number even if works with the same title do not have the same medium of performance, if such works are consecutively numbered in music reference sources.
Line 225:
Line 211:
== 6.16.1.3.3, Thematic Index Number ==
== 6.16.1.3.3, Thematic Index Number ==
−For thematic index abbreviations, consult the bibliography of ''Thematic Indexes Used in the Library of Congress/NACO Authority File'' available online at: [https://cmc.wp.musiclibraryassoc.org/thematic-indexes-used-in-library-of-congress-naco-authority-files/ https://cmc.wp.musiclibraryassoc.org/thematic-indexes-used-in-library-of-congress-naco-authority-files/].
For thematic index abbreviations, consult the bibliography of ''Thematic Indexes Used in the Library of Congress/NACO Authority File'' available online at: [https://cmc.wp.musiclibraryassoc.org/thematic-indexes-used-in-library-of-congress-naco-authority-files/ https://cmc.wp.musiclibraryassoc.org/thematic-indexes-used-in-library-of-congress-naco-authority-files/].
Line 234:
Line 219:
== 6.17.1.3, Recording Key ==
== 6.17.1.3, Recording Key ==
−Follow the same criteria for recording the mode (“major” or “minor”) as for recording the pitch center, that is, if pitch center is given or apparent, but mode is not, record only the pitch center. Follow the RDA examples, and record the words “dièse” and “bémol” rather than the symbols ♯ and ♭ .
Follow the same criteria for recording the mode (“major” or “minor”) as for recording the pitch center, that is, if pitch center is given or apparent, but mode is not, record only the pitch center. Follow the RDA examples, and record the words “dièse” and “bémol” rather than the symbols ♯ and ♭ .
Line 243:
Line 227:
== 6.18.1.4, Arrangements, Transcriptions, Etc. ==
== 6.18.1.4, Arrangements, Transcriptions, Etc. ==
−'''Revisions by the Original Composer'''
'''Revisions by the Original Composer'''
Line 322:
Line 305:
== 6.27.1.9, Additions to access points representing works ==
== 6.27.1.9, Additions to access points representing works ==
−'''Librettos'''
'''Librettos'''
