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no edit summary
Do not apply the alternative.
Do not apply the alternative.
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'''One Work of One Type'''
When cataloging the first occurrence of a work of a particular type of composition by a composer, choose the preferred title as follows:
# If the composer is deceased, consult reference sources to ascertain whether the composer wrote more than one work of that type, and use the singular or plural form as the preferred title according to the information found.
# If the composer is living, choose the singular form of the type of composition as the preferred title unless the work being cataloged bears a serial number (including 1); in that case use the plural form on the assumption that the composer has written or intends to write more works of that type.
When cataloging the second occurrence of a work of a particular type by a composer, if the singular form has been used in the authorized access point for the first work of that type, revise the preferred title to the plural.
Remember that medium of performance is a separate element from the preferred title. If the composer wrote one piano sonata and one violin sonata, he or she wrote two sonatas, and therefore the plural form for the type of composition must be used as the preferred title.
'''Liturgical Words or Phrases'''
When the preferred title is a Latin liturgical word or phrase, record the title in the singular when the word or phrase is invariable (e.g., "Gloria," "Magnificat," "Requiem," "Salve Regina," "Te Deum"). Use the plural form (e.g., "Introïts") when appropriate. Generally, do not add the medium of performance in the authorized access point.
'''Tempo Markings with Modifying Words'''
When the preferred title is a tempo marking with a modifying word or words (e.g., "Andante sostenuto," "Allegro con brio," "Moderato ma non tanto"), record it in the singular.
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Do not apply the alternative.
Do not apply the alternative.
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Do not apply the alternative.
Do not apply the alternative.
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<!--
== 6.14.2.7.2, Two or More Parts, Alternative ==
== 6.14.2.7.2, Two or More Parts, Alternative ==
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Do not apply the alternative.
Do not apply the alternative.
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Use terms from the RVMMEM when possible. '''''Exception:''''' use "orchestre à cordes" for an orchestra consisting primarily of string instruments and no wind instruments (even when it may include continuo, keyboard instruments, plucked instruments, or percussion). Use "orchestre" for an orchestra that has both string and wind instruments.
For instructions on using RVMMEM terms in authorized access points, see Policy Statement for [[6.28.1.9.1]].
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Do not omit doubling instruments and voices.
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Do not omit the number of parts or performers for an instrument or voice, even if there is only one for that instrument or voice.
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Do not omit the number of ensembles for a type of ensemble, even if there is only one ensemble of that type.
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Record a serial number even if works with the same title do not have the same medium of performance, if such works are consecutively numbered in music reference sources.
When recording a serial number that is accompanied in the source by a term such as "numéro," "livre," "collection," etc., apply the following:
If the term is the French word "numéro" or its abbreviation, or an equivalent word or abbreviation in another language, precede the number in the preferred title by the French abbreviation "no."
If the term is a non-French term not meaning "numéro" and the preferred title is in French because of the application of 6.14.2.5.1, substitute the French equivalent of the term, using an French abbreviation as instructed in appendix B (B.5.4).
In all other cases give the term as it appears in the source using its abbreviated form as found in appendix B (B.5.4). If the term is not found in appendix B, give the term as it appears in the source
If no term appears with the number, give the number as a cardinal number and precede it by the French abbreviation "no."
Use Arabic numerals.
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For thematic index abbreviations, consult the bibliography of ''Thematic Indexes Used in the Library of Congress/NACO Authority File'' available online at: [https://cmc.wp.musiclibraryassoc.org/thematic-indexes-used-in-library-of-congress-naco-authority-files/ https://cmc.wp.musiclibraryassoc.org/thematic-indexes-used-in-library-of-congress-naco-authority-files/].
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'''Revisions by the Original Composer'''
If a composer revises a work, retaining the original title and opus number, and the revision is one of a different instrumentation within the same broad medium (e.g., orchestre, ensemble instrumental, harmonie), do not consider the revision to be an arrangement. Use the same authorized access point for the original and the revision.
''Example :''
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
100 1# $a Stravinsky, Igor, $d 1882-1971.
240 10 $a Petruška
245 10 $a Petrushka : $b complete original 1911 version ...
<br><br>
100 1# $a Stravinsky, Igor, $d 1882-1971.
240 10 $a Petruška
245 10 $a Petrouchka : $b burleske in four scenes (revised 1947 version) ...
</div>
'''Alternative Instruments'''
Do not consider as arrangements the following uses of alternative instruments:
# A work composed before 1800 for a baroque, renaissance, or other early instrument (viole de gambe, flûte à bec, etc.), or for voice, in a resource that is edited for or performed on a modern instrument or by an alternative voice, provided the key is unchanged and the notation has not been significantly changed.
# A work for a melody instrument which is edited for or performed on an alternative instrument specified by the composer in first or early editions.
''Example :''
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
<div style="font-family:sans-serif">''Bibliographic record''</div>
100 1# $a Brahms, Johannes, $d 1833-1897.
240 10 $a Sonates, $m clarinette, piano, $n op. 120
245 10 $a Sonatas opus 120, for viola and piano ...
500 ## $a À l'origine pour clarinette ou alto et piano.
650 #6 $a Sonates (Alto et piano) $v Partitions et parties.
<div style="font-family:sans-serif">''Authority record''</div>
100 1# $a Brahms, Johannes, $d 1833-1897. $t Sonates, $m clarinette, piano, $n op. 120
382 0# $a clarinette $n 1 $p alto $n 1 $a piano $n 1 $s 2 $2 rvmmem
400 1# $a Brahms, Johannes, $d 1833-1897. $t Sonates, $m alto, piano, $n op. 120
</div>
'''Song Transpositions'''
For a resource containing one or more songs transposed to accommodate a voice range different from the original, do not consider the transposition to be an arrangement.
''Example :''
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
100 1# $a Schubert, Franz, $d 1797-1828.
240 10 $a Lieder
245 10 $a Lieder, Gesang und Klavier / $c Franz Schubert.
250 ## $a Neue Ausg. / $b herausgegeben von Dietrich Fischer-Dieskau ; musikwissenschaftliche Revision von Elmar Budde, tiefe Stimme.<br>
<div style="font-family:sans-serif; margin-left:85px;">''Originally for high voice''
</div>
</div>
