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<span style="color:red>[New]</span>
<span style="color:red>[New]</span>
For a musical work with a title that is not distinctive, always record the applicable elements as additions to the authorized access point. When recording elements to differentiate the authorized access point of a work from the authorized access point of another work, person, family, or corporate body, always add one or more differentiating elements to the access point. Use judgment in deciding whether to also record these elements as separate elements and whether to record additional identifying elements (those not needed for differentiation) as separate elements.
''Last update: 2024-04-19''<!--(2024-04-16)-->
[[#toc | ''Return to Table of Contents'' <big>⮝</big>]]
[[#toc | ''Return to Table of Contents'' <big>⮝</big>]]
== 6.14.2.5.1, Omissions ==
== 6.14.2.5.1, Omissions ==
<span style="color:red>[New]</span>
<span style="color:red>[New]</span>
For pre-twentieth century works, normally consider phrases such as "a due," "a cinque" to be statements of medium of performance and omit them when recording the preferred title according to this instruction.
''Last update: 2024-04-19''<!--(2024-04-16)-->
[[#toc | ''Return to Table of Contents'' <big>⮝</big>]]
[[#toc | ''Return to Table of Contents'' <big>⮝</big>]]
<span style="color:red>[New]</span>
<span style="color:red>[New]</span>
Do not consider such titles as "Double concerto," "Tripelkonzert", etc. to be names of types of compositions.
When a composer uses a word which is normally the name of a type of composition as the title of a work which is definitely not a work of the type designated by the word, do not consider the title to be the name of a type of composition.
''Example :''
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
100 1# $a Poulenc, Francis, $d 1899-1963. $t Aubade
<div style="font-family:sans-serif; margin-left:85px;">
''Title : Aubade: concerto chorégraphique pour piano et 18 instruments.''</div>
</div>
A title consisting of two words, each of which alone would be the name of a type of composition, may in combination produce a distinctive title. Generally treat such a compound title as a distinctive title.
''Example :''
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
100 1# $a Nielsen, Carl, $d 1865-1931. $t Humoreske-bagateller
<div style="font-family:sans-serif; margin-left:85px;"></div>
</div>
''Last update: 2024-04-19''<!--(2024-04-16)-->
[[#toc | ''Return to Table of Contents'' <big>⮝</big>]]
[[#toc | ''Return to Table of Contents'' <big>⮝</big>]]
<span style="color:red>[New]</span>
<span style="color:red>[New]</span>
Record the accepted form of name in French if the name has an French cognate form or if the same name is used in French.
'''Melody/Melodies'''
When the French word "Mélodie" or "Mélodies," or their cognates in another language, is the title of a work that is not for solo voice and keyboard stringed instrument, consider it the name of a type of composition. Use the French form as the preferred title and add the medium of performance according to RDA 6.28.1.9.
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