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== 0.6.6, Section 2 : Recording Attributes of Work and Expression ==
== 0.6.6, Section 2 : Recording Attributes of Work and Expression ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
For a musical work with a title that is not distinctive, always record the applicable elements as additions to the authorized access point. When recording elements to differentiate the authorized access point of a work from the authorized access point of another work, person, family, or corporate body, always add one or more differentiating elements to the access point. Use judgment in deciding whether to also record these elements as separate elements and whether to record additional identifying elements (those not needed for differentiation) as separate elements.
For a musical work with a title that is not distinctive, always record the applicable elements as additions to the authorized access point. When recording elements to differentiate the authorized access point of a work from the authorized access point of another work, person, family, or corporate body, always add one or more differentiating elements to the access point. Use judgment in deciding whether to also record these elements as separate elements and whether to record additional identifying elements (those not needed for differentiation) as separate elements.
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=Chapter 6=
=Chapter 6=
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== 6.14.2.5.1, Omissions ==
== 6.14.2.5.1, Omissions ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
For pre-twentieth century works, normally consider phrases such as "a due," "a cinque" to be statements of medium of performance and omit them when recording the preferred title according to this instruction.
For pre-twentieth century works, normally consider phrases such as "a due," "a cinque" to be statements of medium of performance and omit them when recording the preferred title according to this instruction.
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== 6.14.2.5.2, Preferred Title Consisting Solely of the Name of One Type of Composition ==
== 6.14.2.5.2, Preferred Title Consisting Solely of the Name of One Type of Composition ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Do not consider such titles as "Double concerto," "Tripelkonzert", etc. to be names of types of compositions.
Do not consider such titles as "Double concerto," "Tripelkonzert", etc. to be names of types of compositions.
</div>
</div>
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== 6.14.2.5.2.1, Choice of language ==
== 6.14.2.5.2.1, Choice of language ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Record the accepted form of name in French if the name has an French cognate form or if the same name is used in French.
Record the accepted form of name in French if the name has an French cognate form or if the same name is used in French.
When the French word "Mélodie" or "Mélodies," or their cognates in another language, is the title of a work that is not for solo voice and keyboard stringed instrument, consider it the name of a type of composition. Use the French form as the preferred title and add the medium of performance according to RDA 6.28.1.9.
When the French word "Mélodie" or "Mélodies," or their cognates in another language, is the title of a work that is not for solo voice and keyboard stringed instrument, consider it the name of a type of composition. Use the French form as the preferred title and add the medium of performance according to RDA 6.28.1.9.
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== 6.14.2.5.2.1, Alternative ==
== 6.14.2.5.2.1, Alternative ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Do not apply the alternative.
Do not apply the alternative.
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== 6.14.2.5.2.2, Singular or Plural Form ==
== 6.14.2.5.2.2, Singular or Plural Form ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
'''One Work of One Type'''
'''One Work of One Type'''
'''Liturgical Words or Phrases'''
'''Liturgical Words or Phrases'''
When the preferred title is a Latin liturgical word or phrase, record the title in the singular when the word or phrase is invariable (e.g., "Gloria," "Magnificat," "Requiem," "Salve Regina," "Te Deum"). Use the plural form (e.g., "Introïts") when appropriate. Generally, do not add the medium of performance in the authorized access point.
When the preferred title is a Latin liturgical word or phrase, record it in the singular if the word or phrase has no plural form (e.g., "Gloria," "Magnificat," "Requiem," "Salve Regina," "Te Deum"). Use the plural form (e.g., "Introïts") when appropriate. Generally, do not add the medium of performance in the authorized access point.
'''Tempo Markings with Modifying Words'''
'''Tempo Markings with Modifying Words'''
When the preferred title is a tempo marking with a modifying word or words (e.g., "Andante sostenuto," "Allegro con brio," "Moderato ma non tanto"), record it in the singular.
When the preferred title is a tempo marking with a modifying word or words (e.g., "Andante sostenuto," "Allegro con brio," "Moderato ma non tanto"), record it in the singular.
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== 6.14.2.5.2.2, Alternative ==
== 6.14.2.5.2.2, Alternative ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Do not apply the alternative.
Do not apply the alternative.
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== 6.14.2.7.1.3, Part Identified Both by a Number and by a Title or Other Verbal Designation, Alternative ==
== 6.14.2.7.1.3, Part Identified Both by a Number and by a Title or Other Verbal Designation, Alternative ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Do not apply the alternative.
Do not apply the alternative.
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== 6.14.2.7.2, Two or More Parts, Alternative ==
== 6.14.2.7.2, Two or More Parts, Alternative ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
If two or more parts of a work constitute the only content of the manifestation being described, record the conventional collective title ''Extraits'' as the preferred title for the parts. If one or more parts is especially important, also record the part title(s) as analytical authorized access points.
If two or more parts of a work are part of a compilation of works or parts of works, and that analytical authorized access points are established, record the conventional collective title ''Extraits'' as the preferred title for the parts, or record the part title(s) of one or more parts.
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== 6.14.2.8.3, Complete Works of a Single Type of Composition for One Specific Medium or Various Media ==
== 6.14.2.8.3, Complete Works of a Single Type of Composition for One Specific Medium or Various Media ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Use terms from the RVMGF (RVM’s Genre/Forme thesaurus) when possible. When recording the preferred title, omit any parenthetical qualifier from RVMGF.
''Example :''
<div style="font-family:courier new; margin-bottom:20px; margin-left:0px; padding-right:25px; padding-left:100px; padding-top:10px; padding-bottom:10px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
<div style="font-family:sans-serif">'''RVMGF term'''</div>
<div style="margin-left:30px;">Tangos (Musique)
<div style="font-family:sans-serif; margin-left:-30px">'''Conventional collective title'''</div>
<div style="margin-left:0px;">Tangos
</div>
</div>
</div>
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== 6.15.1.3, Recording Medium of Performance ==
== 6.15.1.3, Recording Medium of Performance ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Use terms from the RVMMEM when possible. '''''Exception:''''' use "orchestre à cordes" for an orchestra consisting primarily of string instruments and no wind instruments (even when it may include continuo, keyboard instruments, plucked instruments, or percussion). Use "orchestre" for an orchestra that has both string and wind instruments.
Use terms from the RVMMEM (Répertoire de vedettes-matière, Moyens d’exécution en musique) when possible. '''''Exception:''''' use "orchestre à cordes" for an orchestra consisting primarily of string instruments and no wind instruments (even when it may include continuo, keyboard instruments, plucked instruments, or percussion). Use "orchestre" for an orchestra that has both string and wind instruments.
For instructions on using RVMMEM terms in authorized access points, see Policy Statement for [[6.28.1.9.1]].
For instructions on using RVMMEM terms in authorized access points, see Policy Statement for [[6.28.1.9.1]].
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== 6.15.1.5, Optional Omission ==
== 6.15.1.5, Optional Omission ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Do not omit doubling instruments and voices.
Do not omit doubling instruments and voices.
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== 6.15.1.6.1, Optional Omission ==
== 6.15.1.6.1, Optional Omission ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Do not omit the number of parts or performers for an instrument or voice, even if there is only one for that instrument or voice.
Do not omit the number of parts or performers for an instrument or voice, even if there is only one for that instrument or voice.
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== 6.15.1.6.3, Optional Omission ==
== 6.15.1.6.3, Optional Omission ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Do not omit the number of ensembles for a type of ensemble, even if there is only one ensemble of that type.
Do not omit the number of ensembles for a type of ensemble, even if there is only one ensemble of that type.
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== 6.16.1.3.1, Serial Number ==
== 6.16.1.3.1, Serial Number ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Record a serial number even if works with the same title do not have the same medium of performance, if such works are consecutively numbered in music reference sources.
Record a serial number even if works with the same title do not have the same medium of performance, if such works are consecutively numbered in music reference sources.
Use Arabic numerals.
Use Arabic numerals.
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== 6.16.1.3.3, Thematic Index Number ==
== 6.16.1.3.3, Thematic Index Number ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
For thematic index abbreviations, consult the bibliography of ''Thematic Indexes Used in the Library of Congress/NACO Authority File'' available online at: [https://cmc.wp.musiclibraryassoc.org/thematic-indexes-used-in-library-of-congress-naco-authority-files/ https://cmc.wp.musiclibraryassoc.org/thematic-indexes-used-in-library-of-congress-naco-authority-files/].
For thematic index abbreviations, consult the bibliography of ''Thematic Indexes Used in the Library of Congress/NACO Authority File'' available online at: [https://cmc.wp.musiclibraryassoc.org/thematic-indexes-used-in-library-of-congress-naco-authority-files/ https://cmc.wp.musiclibraryassoc.org/thematic-indexes-used-in-library-of-congress-naco-authority-files/].
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== 6.17.1.3, Recording Key ==
<span style="color:red>[NEW]</span>
Follow the same criteria for recording the mode (“major” or “minor”) as for recording the pitch center, that is, if pitch center is given or apparent, but mode is not, record only the pitch center. Follow the RDA examples, and record the words “dièse” and “bémol” rather than the symbols ♯ and ♭ .
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== 6.18.1.4, Arrangements, Transcriptions, Etc. ==
== 6.18.1.4, Arrangements, Transcriptions, Etc. ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
'''Revisions by the Original Composer'''
'''Revisions by the Original Composer'''
</div>
</div>
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== 6.27.1.9, Additions to access points representing works ==
== 6.27.1.9, Additions to access points representing works ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
'''Librettos'''
'''Librettos'''
100 1# $a Wagner, Richard, $d 1813-1883. $t Meistersinger von Nürnberg (Livret)
100 1# $a Wagner, Richard, $d 1813-1883. $t Meistersinger von Nürnberg (Livret)
</div>
</div>
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== 6.28.1, General Guidelines on Constructing Authorized Access Points Representing Musical Works ==
== 6.28.1, General Guidelines on Constructing Authorized Access Points Representing Musical Works ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
'''Additions to Authorized Access Points'''
'''Additions to Authorized Access Points'''
'''Melody/Melodies'''
'''Melody/Melodies'''
Lorsque le mot français « Mélodie » ou « Mélodies » est le titre d'une œuvre pour voix soliste avec accompagnement d'instrument à clavier et à cordes, considérer que la distribution d'exécution est implicite dans le titre (voir [https://original.rdatoolkit.org/document.php?id=rdachp6&target=rda6-7660#rda6-7660 RDA 6.28.1.9]) et omettre la distribution d'exécution dans le point d'accès autorisé.
Lorsque le mot français « Mélodie » ou « Mélodies » est le titre d'une œuvre pour voix soliste avec accompagnement d'instrument à clavier et à cordes, considérer que la distribution d'exécution est implicite dans le titre (voir [https://original.rdatoolkit.org/document.php?id=rdachp6&target=rda6-7660#rda6-7660 6.28.1.9]) et omettre la distribution d'exécution dans le point d'accès autorisé.
Lorsque le mot français « Mélodie » ou « Mélodies » est le titre d'une œuvre pour voix soliste avec accompagnement autre qu'un instrument à clavier et à cordes seul ou sans accompagnement, appliquer [https://original.rdatoolkit.org/document.php?id=rdachp6&target=rda6-7660#rda6-7660 RDA 6.28.1.9] et ajouter la distribution d'exécution de l'accompagnement, ou « sans accompagnement », dans le point d'accès autorisé.
Lorsque le mot français « Mélodie » ou « Mélodies » est le titre d'une œuvre pour voix soliste avec accompagnement autre qu'un instrument à clavier et à cordes seul ou sans accompagnement, appliquer [https://original.rdatoolkit.org/document.php?id=rdachp6&target=rda6-7660#rda6-7660 RDA 6.28.1.9] et ajouter la distribution d'exécution de l'accompagnement, ou « sans accompagnement », dans le point d'accès autorisé.
When the preferred title is a Latin liturgical word or phrase (e.g., "Gloria," "Magnificat," "Requiem," "Salve Regina," "Te Deum"), record it in the singular when the word or phrase is invariable. Use the plural form "Introïts," when appropriate. Generally, do not add the medium of performance in the authorized access point.
When the preferred title is a Latin liturgical word or phrase (e.g., "Gloria," "Magnificat," "Requiem," "Salve Regina," "Te Deum"), record it in the singular when the word or phrase is invariable. Use the plural form "Introïts," when appropriate. Generally, do not add the medium of performance in the authorized access point.
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== 6.28.1.2, Musical Works With Lyrics, Libretto, Text, etc. ==
== 6.28.1.2, Musical Works With Lyrics, Libretto, Text, etc. ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
If a composer also created the libretto for a dramatic musical work and the libretto is manifested separately as a literary work, distinguish the literary work from the musical work with ''(Livret)'', but do not make an addition to the access point for the musical work (see Policy Statement [[|6.27.1.9]]).
If a composer also created the libretto for a dramatic musical work and the libretto is manifested separately as a literary work, distinguish the literary work from the musical work with ''(Livret)'', but do not make an addition to the access point for the musical work (see Policy Statement [[6.27.1.9]]).
''Example :''
''Example :''
</div>
</div>
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== 6.28.1.9, Additional Elements in Authorized Access Points Representing Musical Works ==
== 6.28.1.9, Additional Elements in Authorized Access Points Representing Musical Works ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
'''General'''
'''General'''
# key (voir [ 6.17]).
# key (voir [ 6.17]).
When adding several numeric designations, add them in the following order:
# numéro d'ordre
# serial number
# numéro d'opus
# opus number
# numéro à l'intérieur de l'opus, s'il y en a un.
# number within the opus, if there is one.
Do not add a serial number or an opus number if a thematic catalogue number is added.
''Examples :''
''Examples :''
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-->
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== 6.28.1.9.1, Medium of performance ==
== 6.28.1.9.1, Medium of performance ==
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6.28.3
6.28.3
== 6.28.3, Authorized Access Point representing an expression of musical workAUTHORIZED ACCESS POINT REPRESENTING AN EXPRESSION OF A MUSICAL WORK ==
== 6.28.3, Authorized Access Point Representing an Expression of Musical Work ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
In order to maintain current file integrity, when constructing an authorized access point for an expression of a musical work, if more than one characteristic of an an expression listed below is to be recorded, use the following priority order, omitting the ones that are not applicable:
In order to maintain current file integrity, when constructing an authorized access point for an expression of a musical work, if more than one characteristic of an an expression listed below is to be recorded, use the following priority order, omitting the ones that are not applicable:
# Traductions [Translations].
# Traductions [Translations].
''Exemple :''
''Example :''
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
</div>
</div>
== 6.28.4, Variante de point d'accès représentant une œuvre ou une expression musicale ==
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== 6.28.4, Variant Access Point Representing a Musical Work or Expression ==
<span style="color:red>[NEW]</span>
<span style="color:red>[NEW]</span>
'''Variant Access Point Representing a Musical Work or Expression'''
'''Misattributed Musical Works and Expressions'''
For a misattributed musical work, or expression of a work, provide additional access points as may be appropriate to identify the work.
For a misattributed musical work, or expression of a work, provide additional access points as may be appropriate to identify the work.
-->
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=Chapter 9=
=Chapter 9=
==9.2.2.5.3, Names found in a non-preferred script ==
==9.2.2.5.3, Names Found in a Non-preferred Script ==
For the instructions related to RDA 9.2.2.5.3, the language preferred for reference sources is French; the preferred script is the Latin script.
For the instructions related to RDA 9.2.2.5.3, the language preferred for reference sources is French; the preferred script is the Latin script.
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== 9.3.4.3, Recording period of activity of person <span style="color:red>[NEW]</span>==
== 9.3.4.3, Recording Period of Activity of Person ==
When recording the period of activity, use “activité” not "époque", "actif" or "active". The term "activité" should appear before the first period of activity date (e.g., "activité 12e siècle"), unless another term such as "jin shi" is used.
When recording the period of activity, use “activité” not "époque", "actif" or "active". The term "activité" should appear before the first period of activity date (e.g., "activité 12e siècle"), unless another term such as "jin shi" is used.
= Chapiter 11 =
= Chapiter 11 =
== 11.2, Name of Corporate Body <span style="color:red>[New]</span>==
== 11.2, Name of Corporate Body ==
When the name of an individual performer appears in conjunction with the name of a performing group, unless there is other evidence generally do not consider the person's name to be part of the name of the group.
When the name of an individual performer appears in conjunction with the name of a performing group, unless there is other evidence generally do not consider the person's name to be part of the name of the group.
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== 11.2.2.12, Names found in a non-preferred script <span style="color:red>[New]</span> ==
== 11.2.2.12, Names Found in a Non-preferred Script ==
Record a transliterated form of the corporate name in authorized access points where applicable, following the [[PFAN_-_Other_Documentation#Romanization|romanization tables]] approved by PFAN. Non-Latin forms that appear on the source may be recorded as variant access points in authority records (MARC field 4XX )for the following languages and scripts: Perso-Arabic script (e.g. Arabic, Persian, Pashto, Urdu); Hebrew, Yiddish; Chinese, Japanese, Korean; Cyrillic-based scripts; and Greek.
Record a transliterated form of the corporate name in authorized access points where applicable, following the [[PFAN_-_Other_Documentation#Romanization|romanization tables]] approved by PFAN. Non-Latin forms that appear on the source may be recorded as variant access points in authority records (MARC field 4XX )for the following languages and scripts: Perso-Arabic script (e.g. Arabic, Persian, Pashto, Urdu); Hebrew, Yiddish; Chinese, Japanese, Korean; Cyrillic-based scripts; and Greek.
[[#toc | ''Return to Table of Contents'' <big>⮝</big>]]
[[#toc | ''Return to Table of Contents'' <big>⮝</big>]]
== 11.2.2.12, Alternative <span style="color:red>[New]</span> ==
== 11.2.2.12, Alternative ==
Do not apply.
Do not apply the alternative.
''Last Update: 2023-11-24''<!--(2023-11-24)-->
''Last Update: 2023-11-24''<!--(2023-11-24)-->
= Chapter 16 =
= Chapter 16 =
== 16.2.2.2, Sources of information ==
== 16.2.2.2, Sources of Information ==
For names in Canada, base the form found in [http://www4.nrcan.gc.ca/search-place-names/search Canadian Geographical Names Database (CGNDB)] from Natural Resources Canada
For names in Canada, base the form found in [http://www4.nrcan.gc.ca/search-place-names/search Canadian Geographical Names Database (CGNDB)] from Natural Resources Canada
= Chapter 32 =
= Chapter 32 =
==32.1, Related Corporate Body <span style="color:red>[New]</span>==
==32.1, Related Corporate Body ==
'''Core element for PFAN'''
'''Core element for PFAN'''