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→6.16.1.3.1, Serial Number
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= Chapiter 0 =
= Chapiter 0 =
== 0.6.6, Section 2 : Recording Attributes of Work and Expression ==
== 0.6.6, Section 2 : Recording Attributes of Work and Expression ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
For a musical work with a title that is not distinctive, always record the applicable elements as additions to the authorized access point. When recording elements to differentiate the authorized access point of a work from the authorized access point of another work, person, family, or corporate body, always add one or more differentiating elements to the access point. Use judgment in deciding whether to also record these elements as separate elements and whether to record additional identifying elements (those not needed for differentiation) as separate elements.
For a musical work with a title that is not distinctive, always record the applicable elements as additions to the authorized access point. When recording elements to differentiate the authorized access point of a work from the authorized access point of another work, person, family, or corporate body, always add one or more differentiating elements to the access point. Use judgment in deciding whether to also record these elements as separate elements and whether to record additional identifying elements (those not needed for differentiation) as separate elements.
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=Chapter 6=
=Chapter 6=
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== 6.14.2.5.1, Omissions ==
== 6.14.2.5.1, Omissions ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
For pre-twentieth century works, normally consider phrases such as "a due," "a cinque" to be statements of medium of performance and omit them when recording the preferred title according to this instruction.
For pre-twentieth century works, normally consider phrases such as "a due," "a cinque" to be statements of medium of performance and omit them when recording the preferred title according to this instruction.
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== 6.14.2.5.2, Preferred Title Consisting Solely of the Name of One Type of Composition ==
== 6.14.2.5.2, Preferred Title Consisting Solely of the Name of One Type of Composition ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Do not consider such titles as "Double concerto," "Tripelkonzert", etc. to be names of types of compositions.
Do not consider such titles as "Double concerto," "Tripelkonzert", etc. to be names of types of compositions.
</div>
</div>
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== 6.14.2.5.2.1, Choice of language ==
== 6.14.2.5.2.1, Choice of language ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Record the accepted form of name in French if the name has an French cognate form or if the same name is used in French.
Record the accepted form of name in French if the name has an French cognate form or if the same name is used in French.
'''Melody/Melodies'''
'''Melody/Melodies'''
When the French word "Mélodie" or "Mélodies," or their cognates in another language, is the title of a work that is not for solo voice and keyboard stringed instrument, consider it the name of a type of composition. Use the French form as the preferred title and add the medium of performance according to RDA 6.28.1.9.
When the French word "Mélodie" or "Mélodies," or their cognates in another language, is the title of a work that is not for solo voice and keyboard stringed instrument, consider it the name of a type of composition. Use the French form as the preferred title and add the medium of performance according to [https://original.rdatoolkit.org/document.php?id=rdachp6&lang=en&target=rda6-7660#rda6-7660 RDA 6.28.1.9].
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== 6.14.2.5.2.1, Alternative ==
== 6.14.2.5.2.1, Alternative ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Do not apply the alternative.
Do not apply the alternative.
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== 6.14.2.5.2.2, Singular or Plural Form ==
== 6.14.2.5.2.2, Singular or Plural Form ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
'''One Work of One Type'''
When cataloging the first occurrence of a work of a particular type of composition by a composer, choose the preferred title as follows:
# If the composer is deceased, consult reference sources to ascertain whether the composer wrote more than one work of that type, and use the singular or plural form as the preferred title according to the information found.
# If the composer is living, choose the singular form of the type of composition as the preferred title unless the work being cataloged bears a serial number (including 1); in that case use the plural form on the assumption that the composer has written or intends to write more works of that type.
When cataloging the second occurrence of a work of a particular type by a composer, if the singular form has been used in the authorized access point for the first work of that type, revise the preferred title to the plural.
Remember that medium of performance is a separate element from the preferred title. If the composer wrote one piano sonata and one violin sonata, he or she wrote two sonatas, and therefore the plural form for the type of composition must be used as the preferred title.
'''Liturgical Words or Phrases'''
When the preferred title is a Latin liturgical word or phrase, record it in the singular if the word or phrase has no plural form (e.g., "Gloria," "Magnificat," "Requiem," "Salve Regina," "Te Deum"). Use the plural form (e.g., "Introïts") when appropriate. Generally, do not add the medium of performance in the authorized access point.
'''Tempo Markings with Modifying Words'''
When the preferred title is a tempo marking with a modifying word or words (e.g., "Andante sostenuto," "Allegro con brio," "Moderato ma non tanto"), record it in the singular.
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== 6.14.2.5.2.2, Alternative ==
== 6.14.2.5.2.2, Alternative ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Do not apply the alternative.
Do not apply the alternative.
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== 6.14.2.7.1.3, Part Identified Both by a Number and by a Title or Other Verbal Designation, Alternative ==
== 6.14.2.7.1.3, Part Identified Both by a Number and by a Title or Other Verbal Designation, Alternative ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Do not apply the alternative.
Do not apply the alternative.
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== 6.14.2.7.2, Two or More Parts, Alternative ==
== 6.14.2.7.2, Two or More Parts, Alternative ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
If two or more parts of a work constitute the only content of the manifestation being described, record the conventional collective title ''Extraits'' as the preferred title for the parts. If one or more parts is especially important, also record the part title(s) as analytical authorized access points.
If two or more parts of a work are part of a compilation of works or parts of works, and that analytical authorized access points are established, record the conventional collective title ''Extraits'' as the preferred title for the parts, or record the part title(s) of one or more parts.
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== 6.14.2.8.3, Complete Works of a Single Type of Composition for One Specific Medium or Various Media ==
== 6.14.2.8.3, Complete Works of a Single Type of Composition for One Specific Medium or Various Media ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Use terms from the RVMGF (RVM’s Genre/Forme thesaurus) when possible. When recording the preferred title, omit any parenthetical qualifier from RVMGF.
''Example :''
<div style="font-family:courier new; margin-bottom:20px; margin-left:0px; padding-right:25px; padding-left:100px; padding-top:10px; padding-bottom:10px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
<div style="font-family:sans-serif">'''RVMGF term'''</div>
<div style="margin-left:30px;">Tangos (Musique)
<div style="font-family:sans-serif; margin-left:-30px">'''Conventional collective title'''</div>
<div style="margin-left:0px;">Tangos
</div>
</div>
</div>
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== 6.15.1.3, Recording Medium of Performance ==
== 6.15.1.3, Recording Medium of Performance ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Use terms from the RVMMEM (Répertoire de vedettes-matière, Moyens d’exécution en musique) when possible. '''''Exception:''''' use "orchestre à cordes" for an orchestra consisting primarily of string instruments and no wind instruments (even when it may include continuo, keyboard instruments, plucked instruments, or percussion). Use "orchestre" for an orchestra that has both string and wind instruments.
For instructions on using RVMMEM terms in authorized access points, see Policy Statement for [[PFAN_-_PFAN_Policy_Statements#6.28.1.9.1.2C_Medium_of_performance|6.28.1.9.1]].
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== 6.15.1.5, Optional Omission ==
== 6.15.1.5, Optional Omission ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Do not omit doubling instruments and voices.
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== 6.15.1.6.1, Optional Omission ==
== 6.15.1.6.1, Optional Omission ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Do not omit the number of parts or performers for an instrument or voice, even if there is only one for that instrument or voice.
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== 6.15.1.6.3, Optional Omission ==
== 6.15.1.6.3, Optional Omission ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Do not omit the number of ensembles for a type of ensemble, even if there is only one ensemble of that type.
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== 6.16.1.3.1, Serial Number ==
== 6.16.1.3.1, Serial Number ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
Record a serial number even if works with the same title do not have the same medium of performance, if such works are consecutively numbered in music reference sources.
When recording a serial number that is accompanied in the source by a term such as "numéro," "livre," "collection," etc., apply the following:
# If the term is the French word "numéro" or its abbreviation, or an equivalent word or abbreviation in another language, precede the number in the preferred title by the French abbreviation "no".
# If the term is a non-French term not meaning "numéro" and the preferred title is in French because of the application of [https://original.rdatoolkit.org/document.php?id=rdachp6&lang=en&target=rda6-100001354#rda6-100001354 6.14.2.5.1], substitute the French equivalent of the term, using an French abbreviation as instructed in appendix B (B.5.4).
# In all other cases give the term as it appears in the source using its abbreviated form as found in appendix B (B.5.4). If the term is not found in appendix B, give the term as it appears in the source
If no term appears with the number, give the number as a cardinal number and precede it by the French abbreviation "no".
Use Arabic numerals.
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== 6.16.1.3.3, Thematic Index Number ==
== 6.16.1.3.3, Thematic Index Number ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
For thematic index abbreviations, consult the bibliography of ''Thematic Indexes Used in the Library of Congress/NACO Authority File'' available online at: [https://cmc.wp.musiclibraryassoc.org/thematic-indexes-used-in-library-of-congress-naco-authority-files/ https://cmc.wp.musiclibraryassoc.org/thematic-indexes-used-in-library-of-congress-naco-authority-files/].
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== 6.17.1.3, Recording Key ==
<span style="color:red>[NEW]</span>
Follow the same criteria for recording the mode (“major” or “minor”) as for recording the pitch center, that is, if pitch center is given or apparent, but mode is not, record only the pitch center. Follow the RDA examples, and record the words “dièse” and “bémol” rather than the symbols ♯ and ♭ .
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== 6.18.1.4, Arrangements, Transcriptions, Etc. ==
== 6.18.1.4, Arrangements, Transcriptions, Etc. ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
'''Revisions by the Original Composer'''
If a composer revises a work, retaining the original title and opus number, and the revision is one of a different instrumentation within the same broad medium (e.g., orchestre, ensemble instrumental, harmonie), do not consider the revision to be an arrangement. Use the same authorized access point for the original and the revision.
''Example :''
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
100 1# $a Stravinsky, Igor, $d 1882-1971.
240 10 $a Petruška
245 10 $a Petrushka : $b complete original 1911 version ...
<br><br>
100 1# $a Stravinsky, Igor, $d 1882-1971.
240 10 $a Petruška
245 10 $a Petrouchka : $b burleske in four scenes (revised 1947 version) ...
</div>
'''Alternative Instruments'''
Do not consider as arrangements the following uses of alternative instruments:
# A work composed before 1800 for a baroque, renaissance, or other early instrument (viole de gambe, flûte à bec, etc.), or for voice, in a resource that is edited for or performed on a modern instrument or by an alternative voice, provided the key is unchanged and the notation has not been significantly changed.
# A work for a melody instrument which is edited for or performed on an alternative instrument specified by the composer in first or early editions.
''Example :''
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
<div style="font-family:sans-serif">''Bibliographic record''</div>
100 1# $a Brahms, Johannes, $d 1833-1897.
240 10 $a Sonates, $m clarinette, piano, $n op. 120
245 10 $a Sonatas opus 120, for viola and piano ...
500 ## $a À l'origine pour clarinette ou alto et piano.
650 #6 $a Sonates (Alto et piano) $v Partitions et parties.
<div style="font-family:sans-serif">''Authority record''</div>
100 1# $a Brahms, Johannes, $d 1833-1897. $t Sonates, $m clarinette, piano, $n op. 120
382 0# $a clarinette $n 1 $p alto $n 1 $a piano $n 1 $s 2 $2 rvmmem
400 1# $a Brahms, Johannes, $d 1833-1897. $t Sonates, $m alto, piano, $n op. 120
</div>
'''Song Transpositions'''
For a resource containing one or more songs transposed to accommodate a voice range different from the original, do not consider the transposition to be an arrangement.
''Example :''
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
100 1# $a Schubert, Franz, $d 1797-1828.
240 10 $a Lieder
245 10 $a Lieder, Gesang und Klavier / $c Franz Schubert.
250 ## $a Neue Ausg. / $b herausgegeben von Dietrich Fischer-Dieskau ; musikwissenschaftliche Revision von Elmar Budde, tiefe Stimme.<br>
<div style="font-family:sans-serif; margin-left:85px;">''Originally for high voice''
</div>
</div>
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== 6.27.1.9, Additions to access points representing works ==
== 6.27.1.9, Additions to access points representing works ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
'''Librettos'''
If a libretto for a dramatic musical work is written by the composer and is manifested separately as a literary work, distinguish the literary work from the musical work with "(Livret)" (see Policy Statement for [[PFAN_-_PFAN_Policy_Statements#6.28.1.2.2C_Musical_Works_With_Lyrics.2C_Libretto.2C_Text.2C_etc.|6.28.1.2]]).
''Example :''
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
100 1# $a Wagner, Richard, $d 1813-1883. $t Meistersinger von Nürnberg (Livret)
</div>
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== 6.28.1, General Guidelines on Constructing Authorized Access Points Representing Musical Works ==
== 6.28.1, General Guidelines on Constructing Authorized Access Points Representing Musical Works ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
'''Additions to Authorized Access Points'''
Do not make an addition to the authorized access point when one or more instrumental parts for a work or a compilation of works by one composer are published separately. Use the same authorized access point that would be used for a score or a complete set of parts.
''Example :''
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
100 10 $a Bach, Johann Sebastian, $d 1685-1750.
240 10 $a Wer mich liebet, der wird mein Wort halten, $n BWV 74
245 10 $a Kantate Nr. 74 : $b Wer mich liebet, der wird mein Wort halten : BWV 74 / $c Joh. Seb. Bach ; Continuo-Aussetzung von Ulrich Haverkampf.
250 ## $a Orgel.
264 #1 $a Wiesbaden : $b Breitkopf & Härtel, $c [1982]
300 ## $a 1 partie (32 pages) ...
<br><br>
100 1# $a Bach, Johann Sebastian, $d 1685-1750.
240 10 $a Musique vocale. $k Extraits
245 14 $a The flute solos from the Bach cantatas, passions, and oratorios ...
<div style="font-family:sans-serif; margin-left:0px;text-indent:0px">''« Extraits » refers to the fact that the flute solos in the resource are not from all of Bach’s vocal music works; nor are they the entire flute part from each of the works included.''
</div>
<br>
100 1# $a Strauss, Richard, $d 1864-1949.
240 10 $a Musique pour orchestre. $k Extraits
245 10 $a Orchesterstudien aus Richard Strauss' symphonischen Werken : $b für Flöte ...
<div style="font-family:sans-serif; margin-left:0px;text-indent:0px">''« Extraits » refers to the fact that the flute selections in the resource are not from all of Strauss’ orchestral music; nor are they the entire flute part from each of the works included.''
</div>
</div>
'''Melody/Melodies'''
When the French word "Mélodie" or "Mélodies" is the title of a work for solo voice and keyboard stringed instrument, consider the medium of performance to be implied by the French title (see [https://original.rdatoolkit.org/document.php?id=rdachp6&lang=en&target=rda6-7660#rda6-7660 RDA 6.28.1.9]) and do not add medium of performance in the authorized access point.
When the French word "Mélodie" or "Mélodies" is the title of a work for solo voice with accompaniment other than a keyboard stringed instrument alone or without accompaniment, apply [https://original.rdatoolkit.org/document.php?id=rdachp6&lang=en&target=rda6-7660#rda6-7660 RDA 6.28.1.9] and add the medium of performance of the accompaniment, or "sans accompagnement," in the authorized access point.
When the French word "Mélodie" ou "Mélodies", or their cognates in another language, is the title of a work that is not for solo voice and keyboard stringed instrument, consider it the name of a type of composition. Use the French form as the preferred title and add the medium of performance according to [https://original.rdatoolkit.org/document.php?id=rdachp6&lang=en&target=rda6-7660#rda6-7660 RDA 6.28.1.9].
'''Liturgical Words or Phrases'''
When the preferred title is a Latin liturgical word or phrase (e.g., "Gloria," "Magnificat," "Requiem," "Salve Regina," "Te Deum"), record it in the singular when the word or phrase is invariable. Use the plural form "Introïts," when appropriate. Generally, do not add the medium of performance in the authorized access point.
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== 6.28.1.2, Musical Works With Lyrics, Libretto, Text, etc. ==
== 6.28.1.2, Musical Works With Lyrics, Libretto, Text, etc. ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
If a composer also created the libretto for a dramatic musical work and the libretto is manifested separately as a literary work, distinguish the literary work from the musical work with ''(Livret)'', but do not make an addition to the access point for the musical work (see Policy Statement [[PFAN_-_PFAN_Policy_Statements#6.27.1.9.2C_Additions_to_access_points_representing_works|6.27.1.9]]).
''Example :''
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
100 1# $a Wagner, Richard, $d 1813-1883. $t Meistersinger von Nürnberg
100 1# $a Wagner, Richard, $d 1813-1883. $t Meistersinger von Nürnberg (Livret)
</div>
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== 6.28.1.9, Additional Elements in Authorized Access Points Representing Musical Works ==
== 6.28.1.9, Additional Elements in Authorized Access Points Representing Musical Works ==
<span style="color:red>[New]</span>
<span style="color:red>[NEW]</span>
'''General'''
Use cataloger's judgment in choosing the most appropriate element or elements listed in 6.28.1.9 to include in the authorized access point for a musical work unless other instructions in this Policy Statement apply.
'''Preferred Title Consists Solely of the Name of a Type, or of Two or More Types, of Composition'''
To maintain file integrity, add these elements in the authorized access point in this order, as applicable:
# medium of performance (voir [https://original.rdatoolkit.org/document.php?id=rdachp6&lang=en&target=rda6-12575#rda6-12575 6.28.1.9.1])
# numeric designation of musical work (voir [https://original.rdatoolkit.org/document.php?id=rdachp6&lang=en&target=rda6-4713#rda6-4713 6.16])
# key (voir [https://original.rdatoolkit.org/document.php?id=rdachp6&lang=en&target=rda6-4791#rda6-4791 6.17]).
When adding several numeric designations, add them in the following order:
# serial number
# opus number
# number within the opus, if there is one.
Do not add a serial number or an opus number if a thematic catalogue number is added.
''Examples :''
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
100 1# $a Brahms, Johannes, $d 1833-1897. $t Concertos, $m violon, orchestre, $n op. 77, $r ré majeur
<br><br>
100 1# $a Schumann, Clara, $d 1819-1896. $t Scherzos, $m piano, $n no 1, op. 10, $r ré mineur
<br><br>
100 1# $a Beethoven, Ludwig van, $d 1770-1827. $t Sonates, $m piano, $n no 14, op. 27, no 2, $r do dièse mineur
<br><br>
100 1# $a Schubert, Franz, $d 1797-1828. $t Trios, $m piano, violon, violoncelle, $n D. 929, $r mi bémol majeur
<div style="font-family:sans-serif; margin-left:0px;text-indent:0px">''Le numéro d'ordre (no 2) et le numéro d'opus (op. 100) ne sont pas enregistrés car le numéro de catalogue thématique est enregistré''
</div>
<br>
100 1# $a Eckhardt-Gramatté, S. C. $q (Sophie-Carmen), $d 1899-1974. $t Symphonies, $n E. 104, $r do
<div style="font-family:sans-serif; margin-left:0px;text-indent:0px">''Le numéro d'ordre (no 1) n'est pas enregistré car le numéro de catalogue thématique est enregistré; la distribution d'exécution n'est pas enregistrée car elle est implicite dans le titre''
</div>
</div>
Add other elements to the authorized access point if it needs to be differentiated from another authorized access point (see [https://original.rdatoolkit.org/document.php?id=rdachp6&lang=en&target=rda6-6847#rda6-6847 6.27.1.9]).
'''Serial Number'''
Record a serial number in an authorized access point if works with the same title and the same medium of performance are consecutively numbered in music reference sources. Record serial number if works with the same title for different media are consecutively numbered in music reference sources if the medium of performance is omitted from the authorized access point per [https://original.rdatoolkit.org/document.php?id=rdachp6&lang=en&target=rda6-100005398#rda6-100005398 6.28.1.9.1 exception a) ii)].
See additional guidance on recording serial numbers in the Policy Statement for [[PFAN_-_PFAN_Policy_Statements#6.16.1.3.1.2C_Serial_Number|6.16.1.3.1]].
'''Librettos and Dramatic Musical Works'''
See Policy Statement [[PFAN_-_PFAN_Policy_Statements#6.28.1.2.2C_Musical_Works_With_Lyrics.2C_Libretto.2C_Text.2C_etc.|6.28.1.2]] for distinguishing access points representing librettos and dramatic musical works written by the same person.
''Last update: 2024-04-24''<!--(2024-04-16)-->
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== 6.28.1.9.1, Medium of performance ==
== 6.28.1.9.1, Medium of performance ==
'''General'''
'''General'''
Use RVMMEM terms in the authorized access point, adjusting the form to plural if needed according to 6.28.1.9.1 Exception d). Record terms in this order:
Use RVMMEM terms in the authorized access point, adjusting the form to plural if needed according to [https://original.rdatoolkit.org/document.php?id=rdachp6&lang=en&target=rda6-12603#rda6-12603 6.28.1.9.1 Exception d)]. Record terms in this order:
<div style="margin-left:50px;"">
<div style="margin-left:50px;"">
'''Existing Authority Records'''<br>
'''Existing Authority Records'''<br>
A medium of performance term used in the 1XX field in an existing authority record may differ from the RVMMEM term for that voice or instrument. Unless otherwise changing the authorized access point, do not modify the existing medium of performance term in an AACR2 or RDA authorized access point to match the RVMMEM term.
A medium of performance term used in the 1XX field in an existing authority record may differ from the RVMMEM term for that voice or instrument. Do not modify the existing medium of performance term in an AACR2 or RDA authorized access point to match the RVMMEM term, <span style="color:red>unless that term is "continuo" or the authorized access point needs to be modified for some other reason.</span>
''Last update: 2021-11-19''<!--(2021-11-19)-->
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''Last update: 2021-11-19''<!--(2021-11-19)-->
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== 6.28.3, Authorized Access Point Representing an Expression of Musical Work ==
<span style="color:red>[NEW]</span>
In order to maintain current file integrity, when constructing an authorized access point for an expression of a musical work, if more than one characteristic of an an expression listed below is to be recorded, use the following priority order, omitting the ones that are not applicable:
# Arrangements, transcriptions, etc. (use the term ''arrangé'')
# Esquisses [Sketches]
# Partition de chant [Vocal score]
# Partitions de chant [Vocal scores]
# Partition de chœur [Chorus score]
# Partitions de chœur [Chorus scores]
# Traductions [Translations].
''Example :''
<div style="font-family:courier new; margin-left:0px; padding-left:100px; padding-top:10px; padding-bottom:10px; padding-left:100px; text-indent:-85px; line-height:1.4; border:1px solid #eaecf0; background-color:#f8f9fa;">
100 1# $a Strauss, Richard, $d 1864-1959.
240 10 $a Lieder, $n op. 10. $p Allerseelen; $o arrangé. $l Anglais
245 10 $a All souls' day = $b Allerseelen : four-part song for mixed voices : op. 10, no. 8 / $c Richard Strauss ; arranged by George Shackely ; original German text by Hermann von Gilm ; English text by George Shackley.
<br><br>
100 1# $a Kodály, Zoltán, $d 1882-1967.
240 10 $a Háry János. $s Partition de chant. $l Anglais
245 10 $a Háry János : $b Hungarian folk opera / $c Zoltán Kodály ; Hungarian libretto by Béla Paulini and Zsolt Harsányi ; English version by Olga Latham and Tony Butterfield.
<br><br>
100 1# $a Moore, Douglas, $d 1893-1969.
240 10 $a Œuvre. $k Extraits (Esquisses)
</div>
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== 6.28.4, Variant Access Point Representing a Musical Work or Expression ==
<span style="color:red>[NEW]</span>
'''Misattributed Musical Works and Expressions'''
For a misattributed musical work, or expression of a work, provide additional access points as may be appropriate to identify the work.
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=Chapter 9=
=Chapter 9=
==9.2.2.5.3, Names found in a non-preferred script ==
==9.2.2.5.3, Names Found in a Non-preferred Script ==
For the instructions related to RDA 9.2.2.5.3, the language preferred for reference sources is French; the preferred script is the Latin script.
For the instructions related to RDA 9.2.2.5.3, the language preferred for reference sources is French; the preferred script is the Latin script.
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== 9.3.4.3, Recording period of activity of person <span style="color:red>[NEW]</span>==
== 9.3.4.3, Recording Period of Activity of Person ==
When recording the period of activity, use “activité” not "époque", "actif" or "active". The term "activité" should appear before the first period of activity date (e.g., "activité 12e siècle"), unless another term such as "jin shi" is used.
When recording the period of activity, use “activité” not "époque", "actif" or "active". The term "activité" should appear before the first period of activity date (e.g., "activité 12e siècle"), unless another term such as "jin shi" is used.
= Chapiter 11 =
= Chapiter 11 =
== 11.2, Name of Corporate Body <span style="color:red>[New]</span>==
== 11.2, Name of Corporate Body ==
When the name of an individual performer appears in conjunction with the name of a performing group, unless there is other evidence generally do not consider the person's name to be part of the name of the group.
When the name of an individual performer appears in conjunction with the name of a performing group, unless there is other evidence generally do not consider the person's name to be part of the name of the group.
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== 11.2.2.12, Names found in a non-preferred script <span style="color:red>[New]</span> ==
== 11.2.2.12, Names Found in a Non-preferred Script ==
Record a transliterated form of the corporate name in authorized access points where applicable, following the [[PFAN_-_Other_Documentation#Romanization|romanization tables]] approved by PFAN. Non-Latin forms that appear on the source may be recorded as variant access points in authority records (MARC field 4XX )for the following languages and scripts: Perso-Arabic script (e.g. Arabic, Persian, Pashto, Urdu); Hebrew, Yiddish; Chinese, Japanese, Korean; Cyrillic-based scripts; and Greek.
Record a transliterated form of the corporate name in authorized access points where applicable, following the [[PFAN_-_Other_Documentation#Romanization|romanization tables]] approved by PFAN. Non-Latin forms that appear on the source may be recorded as variant access points in authority records (MARC field 4XX )for the following languages and scripts: Perso-Arabic script (e.g. Arabic, Persian, Pashto, Urdu); Hebrew, Yiddish; Chinese, Japanese, Korean; Cyrillic-based scripts; and Greek.
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== 11.2.2.12, Alternative <span style="color:red>[New]</span> ==
== 11.2.2.12, Alternative ==
Do not apply.
Do not apply the alternative.
''Last Update: 2023-11-24''<!--(2023-11-24)-->
''Last Update: 2023-11-24''<!--(2023-11-24)-->
= Chapter 16 =
= Chapter 16 =
== 16.2.2.2, Sources of information ==
== 16.2.2.2, Sources of Information ==
For names in Canada, base the form found in [http://www4.nrcan.gc.ca/search-place-names/search Canadian Geographical Names Database (CGNDB)] from Natural Resources Canada
For names in Canada, base the form found in [http://www4.nrcan.gc.ca/search-place-names/search Canadian Geographical Names Database (CGNDB)] from Natural Resources Canada
= Chapter 32 =
= Chapter 32 =
==32.1, Related Corporate Body <span style="color:red>[New]</span>==
==32.1, Related Corporate Body ==
'''Core element for PFAN'''
'''Core element for PFAN'''